{"id":34,"date":"2010-01-06T21:32:22","date_gmt":"2010-01-07T04:32:22","guid":{"rendered":"http:\/\/www.moviecuriosities.co.cc\/?p=34"},"modified":"2010-04-17T20:55:07","modified_gmt":"2010-04-18T03:55:07","slug":"synecdoche-new-york","status":"publish","type":"post","link":"https:\/\/moviecuriosities.fmuk.org.uk\/?p=34","title":{"rendered":"Synecdoche, New York"},"content":{"rendered":"<p>I have to say&#8230; this one is WAY overrated. I know, I&#8217;m surprised too. I can&#8217;t believe I&#8217;m saying it and I wish I felt differently, but I really don&#8217;t like this movie.<\/p>\n<p>I mean, there are movies that hold your hand as they walk you through the story and there are movies that leave matters open for audience interpretation, but I felt like this one kept me at arm&#8217;s length. I found this movie to be fucking impenetrable, mostly because of the characters.<\/p>\n<p>Don&#8217;t get me wrong, the actors acquit themselves marvelously with what they&#8217;re given. I just can&#8217;t stand these characters. Take Philip Seymour Hoffman&#8217;s protagonist, for example. Yes, he played the semi-neurotic shlub played by John Cusack, Nicolas Cage and Jim Carrey before him; but unlike those characters, this one lacks a clear objective. Cusack, for example, was an amazing puppeteer, very passionate about his craft. Nicolas Cage struggled to write a screenplay. Jim Carrey wanted to forget his girlfriend before he wanted to remember her. Hoffman, however, was simply a stage director with absolutely no clear idea of what he was working toward or why he was doing it.<\/p>\n<p>If the protagonist of a story has no objective then the story has no objective. If the story isn&#8217;t visibly moving toward an established end then the audience will be bored to tears.<\/p>\n<p>Then there&#8217;s the matter of the mistresses, played by Michelle Williams and Samantha Morton. From the start of the movie, I kept asking what the fuck these ladies saw in Hoffman&#8217;s character. I never got an answer.<\/p>\n<p>And then there&#8217;s the matter of the world this movie took place in. A world where psychiatrists are vapid money-grubbers, doctors refer patients to other doctors without ever explaining what&#8217;s going on and houses are perfectly good places to purchase and live in, even when they can miraculously burn for eight decades straight.<\/p>\n<p>The premise for this movie depended on two distinct worlds: The world inside the New York warehouse and the one outside it. One of them had to be a shelter for Hoffman and the other had to be a nonsensical world, hostile to him. With this setup, we&#8217;d have a much clearer idea of what Hoffman is trying to accomplish and the two worlds help define each other. <em>Being John Malkovich <\/em>and <em>Eternal Sunshine<\/em> both used this concept to marvelous effect.\u00a0But in <em>Synecdoche<\/em>, both worlds are totally insane and beyond comprehension, resulting in a confused clusterfuck of a film.<\/p>\n<p>I wish I could list more complaints. I wish I could type down the times when I thought &#8220;What the fuck&#8230;?&#8221; or &#8220;Isn&#8217;t this movie over yet?!&#8221; But I can&#8217;t. I&#8217;ve already forgotten them. I remember a few moments from the last half hour or so, but everything before that point has somehow escaped my memory already. I found the proceedings to be that pointless and that forgettable.<\/p>\n<p>The long and short of it, to paraphrase something Benjamin &#8220;Yahtzee&#8221; Croshaw once said, any movie-watching experience that feels like work generally isn&#8217;t going to get a good write-up. The acting performances were very good, but that doesn&#8217;t make up for the interminable story, the godawful pacing, the horrid attempts at satirical quirkiness or the characters that simply aren&#8217;t relatable.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This movie sucks. Yeah, I said it: THIS MOVIE SUCKS.<\/p>\n","protected":false},"author":734,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-34","post","type-post","status-publish","format-standard","hentry","category-dvdbin"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3uOb3-y","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=\/wp\/v2\/posts\/34","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=\/wp\/v2\/users\/734"}],"replies":[{"embeddable":true,"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34"}],"version-history":[{"count":5,"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=\/wp\/v2\/posts\/34\/revisions"}],"predecessor-version":[{"id":195,"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=\/wp\/v2\/posts\/34\/revisions\/195"}],"wp:attachment":[{"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviecuriosities.fmuk.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}